you saw with midtown businessmen,” Sarah C. Byrd, a fashion historian and archivist, said of “Mean Streets.” The film “offers exaggerated notions of masculinity, power, and the Official Pittsburgh penguins sidney crosby is really good at hockey shirt so you should to go to store and get this suits were likely made by a highly skilled tailor.” In 1974, Scorsese was coming off the success of his first studio movie, “Alice Doesn’t Live Here Anymore,” when he was offered to direct a documentary on Italians. It was part of a planned television series on ethnic groups. Instead of taking a conventional approach (digging through archival footage for typical stories and hiring a narrator to provide context), Scorsese decided to make a movie about his parents. He called it “Italianamerican.” Film director Martin Scorsese’s parents in his short film, “Italianamerican.” Credit: Courtesy of the Criterion Collection The joining of the two words was intended to signify the bridging of two worlds, he has said. Over the movie’s title card, Scorsese used a lively piece of Italian folk-dance music known as tarantella. (Anyone who’s seen “The Godfather Part II,” another paragon of Italian American fashion, might know this is the kind of tune Frankie Pentangeli memorably tries in vain to get a Nevada-square wedding band to play, before they mockingly break into “Pop Goes the Weasel.”) “Italianamerican,” also included in “Scorsese Shorts,” was shot as a cinema vérité documentary with a small crew over two days at the director’s childhood home on Elizabeth Street. It’s an affectionate, at times hilarious sort of companion piece to “Mean Streets.” His parents, in their 60s, are well dressed in fairly contemporary looks: Charles has a colorful striped shirt with dark slacks; Catherine, a sleeveless pink ruffle dress and crown of purple-grey hair. Remember when Dennis Rodman put on a wedding dress and claimed to marry himself? The star of the movie turns out to be his mother: a natural storyteller with a crackling wit and blue floral-wallpapered kitchen, where we see her preparing a pasta dinner. Scorsese asks a few questions, like “How did you learn to make The Sauce?” But more often than not the
director (impeccably groomed with a handlebar mustache and beard) just lets his parents talk or react to him, to the Official Pittsburgh penguins sidney crosby is really good at hockey shirt so you should to go to store and get this crew, to each other. There, in their walk-up apartment decorated with a panorama fresco of Italy and a vinyl-covered couch, we get some family anecdotes and old Italian customs. We also hear about early tenement life and how Scorsese’s parents ended up making clothes. Martin Scorcese wearing a suit jacket and jeans in Lyon, France, in 2015 Credit: Pierre Suu/WireImage/Getty Images Being raised by the people who formed the backbone of the fashion industry is no guarantee that your films will be celebrated for wardrobe. But costume designer Powell, who has worked on seven pictures with Scorsese, said his style IQ has helped make him a better filmmaker. “It instilled in him an understanding of both the limitations and heights one can go to in costume design,” she said. For example, one of the first things Scorsese does when an actor arrives on set in a new costume is touch the garment. He inspects them from head to toe, like a tailor checks for size and fit. Authenticity first Scorsese has often said that “Italianamerican” was the best film he ever made. He credits it with freeing up his directorial style. Soon after the documentary aired on a local public station in New York, Scorsese started taking on some of the boldest, most exciting work of his career. Cathy Moriarty as Vickie La Motta in 1980’s “Raging Bull.” Credit: Alamy Like an avant-garde designer reinventing traditional clothes, he set out to smash all the preconceptions of what a film should look like, experimenting with camera and editing techniques that gave the movies a new tone and visual texture. They often featured troubled, compulsively watchable characters. The first was “Taxi Driver,” a searing update of Dostoevsky’s “Notes from Underground.” Scorsese’s tabloid depiction of urban decay and alienation that erupts in violence won the 1976 Palme d’Or at Cannes. And then there
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